Fine Art Quilt Masters entry to Upper Street Events ( Angel) then onto Museum of London ( Moorgate) for 'Drawing Tuesday' then finishing up at Intaglio Printmaker ( Borough) before heading back to St Pancras.
Neolithic section, I just the love the marks, the evidence of the hand of the maker, in the pots and vessels and knapped flints and tools. This time was no different and with lots of sketching stools available found a well lit display case with both. What made it even more special was that they were collected from the Thames close to where I used to live.
I attempted the vessels first, the very aspect that I like in their irregularities and roughness making them very difficult to draw properly - still not right despite several goes. I kept getting distracted by the different marks in the flint dagger so moved on to trying to capture those in different hardnesses of graphite ( and use of my Tombow eraser , one of my favourite tools). It was fascinating to really look through drawing, I must get back to recording my 'small treasures' ( I've added rather more to my collection...)
After lunch with the usual wide-ranging discussions and seeing what other people had drawn I headed off to Intaglio Printmaker in Southwark ( a week later than the others!) to stock up on Japanese woodblock printing items . The most expensive item apart from tools I'd already bought for course was the sharpening stone. Though the watercolour paints I've collected over the years must run into £££.